Kiso Suzuki Acoustic Guitars: WE 150 front

Monday, September 21, 2009

WE 150 front

4 comments:

Jorge said...: jorge said...

kiso-suzuki model we-150. serial number: 71067. made in japan (in 70's i suppose)

laminated spruce top, laminated mahogany? back and sides

big headstock (gibson-gretsch inspiration), martin logo copy

tacky tuners (originals i suppose), the fretboard an bridge wood is not rosewood

plastic nut and saddle (i make a new bone's saddle for better sound), adjustable bridge

big square plastic position dots, black pickguard..; September 22, 2009 at 11:37 AM
Unknown said...: Cristian from Italy said ..

I own the same model WE-150. Serial N.50344 ( a bit older i suppose ). Same guitar, same woods but something different. Headstock logo is not Martin style (same of this site's W-100 model). Soundhole rosette has same theme of top's edge. Different tuners. Pretty sound and lovly smell of old wood. I saved her 3yr ago from a bad guy :-); November 12, 2009 at 11:34 AM
CarlosR said...: Hi, I got also a Kiso Suzuki WE-150 with Serial 61281. It's a wonderful guitar.; February 5, 2011 at 2:46 AM
Unknown said...: I have the we-150 too! Pretty sure it was made in 1980. It doesn't sound very good plugged in. Anyone know where I can get a new pickup for it? The music store said the metal strip pickup they have won't work in this guitar because of the metal thing that holds the bridge in place
Please help jonahgrove80@gmail.com; January 21, 2017 at 7:11 AM

Some History of Kiso Suzuki....

(submit pictures by emailing suzukiguitars@gmail.com
Thanks!)

Kiso Suzuki is the name of a now-defunct guitar company from the Kisofukushima region of Japan. This region is well known for it's mountains and trees, and the lure of the region with it's valuable lumber brought craftsman to the area - one such interest was, of course, guitar-making.Kiso Suzuki and Nagoya Suzuki were one company before the war - a 3-factory company started by Masakichi Suzuki that produced the well-known "Suzuki Violin" violins. But after the war the company was split up into the Suzuki Violin Company (now Kiso Suzuki Violin Company) and Suzuki Violin Manufacturing Company (now Nagoya Suzuki Violin Company). And there the relationship ended.)

Model #'s

Re: the serial number: on many of the models the first one or two numbers in the serial number stands for the year in which it was manufactured; from the 60’s to the 80’s. I have never seen a definite 1950's guitar yet, mainly because I don't know enough about them yet.The other prefixes/suffixes ...W, C, S, VS, D, G, A, T, R, O, J...may follow other common meanings.
W = Western model
F= Folk Model
C= Cutaway
E=Electronics
K=?
S=Spruce (top)
VS= Violin Sunburst color
D=Dreadnaught shape
G=Grand Concert shape for classicals; some 'G' acoustics however had a Gallagher type headstock
A=?
T=? Takeharu sometimes
R=?
O=?
J=Jumbo shape
(if you can help with understanding their system, please DO write me at suzukiguitars@gmail.com....Thanks!)

Questions...
"I have a Suzuki, but it doesn't sound as good as I had hoped for..."
If you have a Suzuki that doesn't sound so great...
Not every Suzuki guitar is equal to an "inheritance" guitar.
But, some are.
Some may just require a setup to sound better; others may be too heavily built or have intonation problems (personal experience with some steel strings built by Kiso). BUT, it's possible to fix some of these problems and have your guitar sound a lot better.
Also, different years, different labels (jobbers?), and whether the guitar was intended for export or for Japan - seems to have made a difference.

Suzuki Construction...

Some woods used were Linden, Rosewood, Maple, Ovangkol, and Nato. Spruce and Cedar were used for the tops – usually laminated for the overseas market, as laminates don’t readily crack, but some models are solid tops. There is a popular theory about solid tops sounding better, but there is disagreement on this matter by some well-respected people. See the website ... http://www.liutaiomottola.com/myth/quartersawn.htm

Suzuki laminates were generally very good quality, and many people feel their guitars, even though laminated, sound better than many solid tops. Suzuki craftsmanship surely played a role in the sound too.

The numbering system is usually tied in with the price. An F100 would have been 10,000 yen, an F130 would have been 13,000 yen, an W250 would have been 25,000 yen and so on. But some models are lower numbers yet very ornamented, so it doesn’t seem like this always holds true. (see the F35 scrollwork on the fretboard).

One interesting thing that stands out is the change in labels. If you’ll notice, there were a few different labels. Were there different divisions or contract manufacturers? I don’t know at this time.

There are thousands of players worldwide who would like to know more about their Kiso Suzuki guitar. It's a common story that when someone has G.A.S (Guitar Acquisition Syndrome) and needs to let a guitar or two go, the Suzuki is the one that stays behind and can't be replaced. If you own a Kiso Suzuki guitar - congratulations on what you probably already know - that you own a well-crafted and good sounding instrument. One that is still undervalued in the opinion of many players. Maybe you'll hang on to it and see that there is something special about many of their instruments. In any case, as Tetsu said..."Have a nice life with Suzuki guitar.”